Heteronormativitas Queer dalam Film Omnibus dan Kumcer Sanubari Jakarta Karya Laila Nurazizah
DOI: https://doi.org/10.30605/zqa2zd78
Sanubari Jakarta, Queer, Heteronormativitas, Performativitas Gender, Alih Wahana
Abstract
Sanubari Jakarta (2012) adalah film omnibus berisi sepuluh film pendek yang telah dialihwahanakan ke dalam bentuk kumpulan cerpen pada tahun yang sama oleh Laila Nurazizah. Penelitian ini membahas isu heteronormativitas queer melalui proses alih wahana dari film omnibus ke kumpulan cerita pendek. Masalah utama dalam penelitian ini adalah representasi tokoh-tokoh queer dalam film ditampilkan sebagai tokoh biner secara heteronormatif melalui perfomativitas gender masing-masing. Penelitian ini bertujuan untuk mengungkap performativitas gender seringkali dianggap selaras orientasi seksual atau ekspresi gender tertentu. Metode penelitian ini menggunakan analisis naratologi Chatman (1978) untuk memperlihatkan tokoh-tokoh queer ditampilkan baik di dalam film maupun di dalam cerpen, dan menunjukkan pergeseran penokohan melalui proses alih wahana. Penelitian ini juga menggunakan teori performativitas gender dari Butler (1990) untuk mengungkap performativitas gender tokoh-tokoh queer tersebut berkaitan erat dengan heteronormativitas masing-masing. Hasil dari penelitian ini mengungkap bahwa proses alih wahana mengukuhkan performativitas gender tokoh-tokoh queer secara heteronormatif.
Downloads
References
Adrienne. (2003). Compulsory heterosexuality and lesbian existence (1980). In Journal of Women’s History (Vol. 15, Number 3, pp. 11–48). Johns Hopkins University Press. https://doi.org/10.1353/jowh.2003.0079 DOI: https://doi.org/10.1353/jowh.2003.0079
Amaria, L., Pramesti, T., Christian, B., Sofiana, F., & F, S. (2012). Sanubari Jakarta [Video recording]. Lola Amaria, Ardhanary Institute, Ford Foundation & Kresna Duta Foundation.
Boellstorf, T. (2005). The Gay Archipelago: Sexuality and Nation in Indonesia. Princeton University Press. DOI: https://doi.org/10.2307/j.ctt5hhq1f
Butler, J. (1990). Gender Trouble: Feminism dan Subversion Identity. . Routledge.
Chatman Seymour. (1978). Story and Discourse: Narrative Structure in Fiction and Film. Cambridge University Press.
Daniel, M. (2024). Queering Adaptation in Global Cinema [Dissertation]. University of Canterbury.
Hutcheon, L. (2006). A Theory of Adaptation. Routledge. DOI: https://doi.org/10.4324/9780203957721
Memberi Suara pada Yang Bisu. (2001). Oetomo, Dede. Galang Press.
Murray, S. (2008). Materializing Adaptation Theory: The Adaptation Industry . Literature/Film Quarterly, 36(1), 4–20. DOI: https://doi.org/10.1093/adaptation/apm002
Nurazizah, L. (2012). Sanubari Jakarta. Gramedia Pustaka Utama.
Raisa Rahmania., P. (2024). Heteronormativity in Maurice by EM Forster [Thesis]. UIN Sunan Gunung Djati Bandung.
Taylor Hunt, R. (2022). “Why don’t you have the sex that you want to have?” Investigating how homonormativity shapes queer men’s sexual attitudes, behaviours, and representations [Thesis]. Victoria University of Wellington.
Uys, M. J. (2022). A comparative analysis of the depiction of queer characters in Hartinger’s Geography Club and Entin’s film adaptation. Literator-Journal of Literary Criticism. Comparative Linguistics and Literary Studies, 43(1). DOI: https://doi.org/10.4102/lit.v43i1.1900
Wulandhani, D. (2020). Mise-en-Scène Analysis on Heteronormativity in Queer Narrative “San Junipero” from Black Mirror. DOI: https://doi.org/10.2991/assehr.k.200729.028
Downloads
Published
License
Copyright (c) 2026 Minanto, Suma Riella Rusdiarti

This work is licensed under a Creative Commons Attribution 4.0 International License.
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal.
- That it is not under consideration for publication elsewhere,
- That its publication has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
License and Copyright Agreement
Authors who publish with Onoma Journal: Education, Languages??, and Literature agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under Creative Commons Attribution License (CC BY 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.








