Perubahan Imaji Maskulinitas pada Alih Wahana Novel Dia Angkasa (2021) ke Drama Seri Dia Angkasa (2024)
https://doi.org/10.30605/onoma.v11i3.6484
Keywords:
alih wahana, novel, drama seri, geng motor, imajiAbstract
Penelitian ini bertujuan menganalisis bagaimana perubahan imaji maskulinitas dari novel Dia Angkasa (2021) ke drama seri Dia Angkasa (2024) merepresentasikan kritik terhadap maskulinitas toksik dalam narasi geng motor remaja. Penelitian ini merupakan penelitian kualitatif dengan pendekatan alih wahana menggunakan teori maskulinitas dari Deborah David dan Robert Brannon (1976) yang mencakup empat prinsip utama: No Sissy Stuff, Be a Big Wheel, The Sturdy Oak, dan Give ’Em Hell. Hasil analisis menunjukkan bahwa pada novel adanya maskulinitas yang dibentuk melalui intimidasi, dominasi, kekerasan verbal, represi perasaan, serta penyelesaian konflik melalui pertengkaran fisik. Sebaliknya, pada drama seri menampilkan pergeseran imaji maskulinitas yang lebih positif, ditandai dengan sikap peduli, penolakan terhadap perundungan, pengendalian diri dengan tidak besikap kasar, mengekspresikan emosi, keberanian yang diekspresikan melalui pengorbanan, dan penyelesaian konflik melalui jalur hukum. Temuan ini menunjukkan bahwa alih wahana dapat menjadi sarana untuk merekonstruksi nilai-nilai maskulinitas toksik dalam narasi geng motor remaja yang sering diasosiasikan dengan tindakan-tindakan negetif menuju ke bentuk yang lebih poisitif. Perubahan ini merepresentasikan kritik terhadap maskulinitas dalam geng motor remaja dan menunjukkan bahwa drama seri dapat merekonstruksi nilai-nilai maskulin agar tidak berorientasi pada kekerasan.
Downloads
References
Agustina, I., & Firman Rahadi, P.(2022). Representasi Makna dan Nilai Gaya Busana Preman pada Tokoh Film Preman Pensiun. Jurnal Seni Nasional Cikini, 8(1), 13–22. https://doi.org/10.52969/jsnc.v8i1.134
Baksin, A. (2023). Ekranisasi film dalam maskulinitas Muslim: Studi kasus pada film Ayat-Ayat Cinta. Jurnal Komunikan, 2(1), 1–13. https://doi.org/10.30993/jurnalkomunikan.v2i1.302
David, D. S., & Brannon, R. (1976). The Forty-Nine Percent Majority: The Male Sex Role. Reading, MA: Addison-Wesley.
Damono, S. D. (2018). Alih wahana. Gramedia Pustaka Utama.
Ernawati, A., & Marta, R. F. (2020). Balutan Identitas Maskulin pada Pengguna Tato dari Perspektif Fenomenologi Levinas. Mudra Jurnal Seni Budaya, 35(3), 296–307. https://doi.org/10.31091/mudra.v35i3.1039
Fadilah, F., Syafrial, S., & Rumadi, H. (2020). Alih Wahana Novel ke dalam Film Assalamualaikum Calon Imam Karya Ima Madani. JURNAL TUAH: Pendidikan dan Pengajaran Bahasa, 2(2), 145-150. https://doi.org/10.31258/jtuah.2.2.p.145-150.
Fajrin, M., Purwasari, R. ., Chandra, J. L., Mappaseng, M. A., Budi, A., & Putra, J. N. (2024). Analisis Aksi Geng Motor “Akatsuki 2018” Ditinjau Dari Sub-Culture Theory. EKOMA : Jurnal Ekonomi, Manajemen, Akuntansi, 3(3), 518–523. https://doi.org/10.56799/ekoma.v3i3.3048
Hutcheon, L. (2006). A theory of adaptation. Routledge.
ILHO. (2024, August 20). Unhas student novel "Dia Angkasa" becomes bestseller and is being adapted for the big screen. Directorate of Student Affairs, Hasanuddin University. https://kemahasiswaan.unhas.ac.id/berita/277
Intan, T. (2021). Stereotip Gender dan Wacana Maskulinitas dalam Novel Di Tanah Lada Karya Ziggy Zezsyazeoviennazabrizkie. Yinyang: Jurnal Studi Islam Gender Dan Anak, 16(1), 71–88. https://doi.org/10.24090/yinyang.v16i1.4058.
Kurniawan, S. A., & Perkasa, A. W. A. P. (2023). Analisis Social Bond Theory terhadap Afeksi Individu dalam Aksi Kekerasan oleh Geng Motor: Studi Kasus Geng Motor di Kota Sukabumi. Anomie, 5(2), 86-100.
Ni'mah, M., & Murtiningrum, A. (2022).The masculinity and its characteristics depicted by Dawson Cole as the main character in The Best of Me novel. Journal of Advanced Multidisciplinary Research, 3(1), 62–70. https://doi.org/10.30659/JAMR.3.1.62-70
Pratama, P. I. A., & Ningsih, T. W. R. (2021). Traits of masculinity as depicted in Avengers: Endgame movie. ISLAC: Journal of Intensive Studies on Language, Literature, Art, and Culture, 5(2), 251–261. https://doi.org/10.17977/um006v5i22021p251-261.
Rosida, I., Merdeka, P., Chaliza, A. N., Nisa, A. A., & Sodikin, M. (2022). Toxic masculinity in Michael Rohrbaugh’s American Male. Litera, 21(1), 66–80. https://doi.org/10.21831/ltr.v21i1.39792.
Sari, N. (2021). Dia angkasa. Romancious.
Solihin, M. (2025, Maret 23). Diduga hendak tawuran, 67 anggota geng motor di Bogor ditangkap. Detik News. https://news.detik.com/berita/d-7837435/diduga-hendak-tawuran-67-anggota-geng-motor-di-bogor-ditangkap.
Sondang, A. D. (Director), & Sari, N. (Writer). (2024). Dia angkasa [Drama seri]. Unlimited Production; MAXstream & Viu.
Syafiqah, N., Khalik, S., Kasman, R., & Kasau, M. N. R. (2025). Analisis Perbandingan Unsur Intrinsik pada Novel dan Film" Dia Angkasa" melalui Perspektif Ekranisasi. KLITIKA Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia, 7(1), 44-56. https://doi.org/10.32585/klitika.v7i1.6541
Wahyudi, A. A., Saputra, H., Parikhesit, P., Arisca, F., Muttaqin, M. W., & Wijaya, P. P. (2024). Transisi Kenakalan Remaja Menjadi Kriminalitas Dalam Komunitas Geng Motor: Studi Kasus Geng Motor di Tangerang. EKOMA: Jurnal Ekonomi, Manajemen, Akuntansi, 3(3), 524-529. https://doi.org/10.56799/ekoma.v3i3.3049.
Wulandari, A., & Firmansyah, D. (2023). Maskulinitas Dalam Novel Milea: Suara Dari Dilan Karya Pidi Baiq. Literasi: Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya, 7(2), 229-238. https://doi.org/10.1234/jbs.v7i2.1234.
Downloads
Published
How to Cite
License
Copyright (c) 2025 Dwi Mayang Sagita, Lily Tjahjandari
This work is licensed under a Creative Commons Attribution 4.0 International License.
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal.
- That it is not under consideration for publication elsewhere,
- That its publication has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
License and Copyright Agreement
Authors who publish with Onoma Journal: Education, Languages??, and Literature agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under Creative Commons Attribution License (CC BY 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
