From Humility To Superior Human Beings: The Retention Of Benjang Wrestling In Paguron Dharma Pusaka Panca Indra
https://doi.org/10.30605/onoma.v11i3.5985
Keywords:
benjang, flagship, inheritance, performanceAbstract
This research aims to explain the values contained in the Benjang Wrestling performances as the basis for inheritance and efforts to defend Benjang Wrestling carried out at Paguron Dharma Pusaka Panca Indra. Indonesia, which has thousands of ethnic groups spread from the West to the East, has a diversity of arts and culture. These arts and cultures represent the thoughts and values owned by each tribe. Each tribe has its own distinctive performing arts. One of the typical performing arts in Sundanese society is Benjang. Benjang performance is a traditional wrestling performance in the Sundanese community combined with music and dance accompaniment. The musical accompaniment that accompanies the Benjang performance consists of terebang, drums, Sundanese trumpets, and kecrek. Currently, the existence of Benjang Wrestling is starting to dim in the community. This was motivated by the prohibition of Benjang Wrestling performances during the New Order period. In addition, Benjang Wrestling is less known today than other Benjang performances, such Benjang Helaran and Benjang Mask. Benjang Wrestling as a performance has a philosophical meaning contained in it. The philosophical meaning contained in the Benjang Wrestling is an important value that needs to be passed on to the next generation. This research will elaborate on the philosophical meaning in Benjang Wrestling as the basis for inheritance and explain the preservation efforts made by paguron in preserving Benjang Wrestling. The research method used is a qualitative method with an ethnographic approach. The results of the study show that the meaning contained in the Benjang Wrestling is the basis in the inheritance process that aims to create superior humans. This is a value that is maintained by the perpetrators to be passed on to the next generation.
Downloads
References
Amir, N., & Maulana, R. (2021, September 29). Modifying the Regulations in Geudeu-Geudeu Martial Art. Proceedings of the 11th Annual International Conference (AIC) on Social Sciences.
Creswell, J. W. (2009). Research Design (Qualitative, Quantitative, and Mixed Methods Approaches). SAGE Publications.
Daryana, H. A., & Budi, D. S. U. (2024). Proses Regenerasi Angklung di Saung Angklung Udjo. Jurnal Panggung, 34(4), 482–499.
Elzawan, M., & Yuningsih, A. (2016). Pola Komunikasi Verbal dan Non Verbal dalam Seni Benjang. Prosiding Hubungan Masyarakat.
Fanani, M. Z., & Aqli, W. (2021). Kajian Kearifan Lokal pada Bangunan Kantor Pemerintahan Balaikota Depok. Jurnal Arsitektur Purwarupa, 5(1), 15–20.
Hamid, H. A., Hidayat, A. A., & Lestari, F. (2023). History and Development of the Benjang Wrestling Organization in Ujungberung in 2000-2021. Integration: Journal of Social Sciences and Culture, 1(2), 137–144.
Hasanah, L. U., & Andari, N. (2020). The Social And Cultural Values Transmission Of An Oral Tradition. Indonesian Journal of Social Research, 2(3), 196–205.
Hutomo, S. S. (1991). Mutiara yang Terlupakan (Pengantar Studi Sastra Lisan). Himpunan Sarjana Kesusastraan Indonesia.
Indrawardana, I. (2013). Kearifan Lokal Adat Masyarakat Sunda Dalam Hubungan Dengan Lingkungan Alam. Komunitas: International Journal of Indonesian Society and Culture, 4(1), 1–8. https://doi.org/10.15294/komunitas.v4i1.2390
Jannah, H. A., & Kusdiana, A. (2023). Perkembangan Seni Beladiri Benjang Gulat di Kecamatan Ujungberung (1920-2021). Priangan, 2(2), 14–23.
Kinesti, R. D. A., Lestari, W., & Hartono. (2015). Pertunjukan Kesenian Pathol Sarang Di Kabupaten Rembang. Catharsis: Journal of Arts Education, 4(2). http://journal.unnes.ac.id/sju/index.php/catharsis
Komara, E. (2018). Traditional Game Sports and the Conservation of Local Culture. The 4th Malaysian International Outdoor Recreation and Education Conference.
Lestari, A. T. (2018). Seni Terebang Gebes Grup Candralijaya Di Kampung Cirangkong Desa Cikeusal Kecamatan Tanjungjaya Kabupaten Tasikmalaya. Magelaran: Jurnal Pendidikan Seni, 1(2), 85–94.
Mantri, Y. M. (2014). Peran Pemuda dalam Pelestarian Seni Tradisional Benjang Guna Meningkatkan Ketahanan Budaya Daerah (Studi di Kecamatan Ujungberung Kota Bandung Provinsi Jawa Barat). Jurnal Ketahanan Nasional, 10(3), 135–140.
Negari, A. A., & Hidayat, D. (2015). Keberadaan Seni Tradisi Bela Diri Benjang Di Tengah Masyarakat Modern. JIPSI-Jurnal Ilmu Politik Dan Komunikasi UNIKOM, 4(1).
Nurazizah, S. U., Lahpan, N. Y. K., & Yuningsih, Y. (2022). Makna Simbol Terebang Shalawat Modifikasi Kelompok Pusaka Wargi Di Dusun Rancakalong Desa/Kecamatan Rancakalong Kabupaten Sumedang. Jurnal Budaya Etnika, 6(1), 43–58.
Oktriyadi, R. (2024). Benjang Gulat Sebagai Potensi Destinasi Wisata Desa Cilengkrang Kabupaten Bandung. Bookchapter ISBI Bandung.
Restialopa, & Hamdan, Y. (2014). Komunikasi Nonverbal pada Seni Bela Diri Gulat Benjang. Prosiding Penelitian Sivitas Akademika Unisba (Sosial Dan Humaniora).
Riyanto, M. R., Kurniawan, A., & Ramlan. (2022). Mengenalkan Kesenian Bela Diri Benjang Ujung Beurung Bandung Melalui Perancangan Video Dokumenter Untuk Pelajar dan Mahasiswa. FAD, 11(11).
Salayanti, S., Palupi, F. R., & Sarihati, T. (2021). The Concept of Rasa in Bandung’s Topeng Benjang Performance.
Salayanti, S., & Sarwanto. (2021). Esensi dan Eksistensi Ruang Pertunjukan Ritual Benjang Dengan Konsep Rasa Sahrdaya. JURNAL RUPA, 6(2), 73. https://doi.org/10.25124/rupa.v6i2.3797
Salayanti, S., Widyastutieningrum, S. R., & Sunarmi. (2021). Improving The Dance Performance Space in the Pandemic Era through Benjang Mask in Bandung Society. Architecture and Design International Conference, 2021, 28–33.
Soedarsono, R. M. (1998). Seni Pertunjukan Indonesia di Era Globalisasi. Direktorat Jenderal Pendidikan Tinggi Departemen Pendidikan dan Kebudayaan.
Spradley, J. P. (2007). Metode Etnografi. Tiara Wacana.
Sumantri, M., Djamaludin, A., Patoni, A., Koerdie, R. H. Moch., Koesman, M. O., & Adisastra, E. S. (1985). Kamus Sunda-Indonesia. Pusat Pembinaan dan Pengembangan Bahasa Departemen Pendidikan dan Kebudayaan.
Wahyuni, A. P., Lahpan, N. Y. K., & Yuningsih, Y. (2021). Seni Benjang Gulat Sebagai Simbol Identitas Budaya Masyarakat Ujung Berung (Benjang Gulat As A Symbol Of The Identity Of Ujung Berung Community). Jurnal Budaya Etnika, 5(1), 25–34.
Downloads
Published
How to Cite
License
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal.
- That it is not under consideration for publication elsewhere,
- That its publication has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
License and Copyright Agreement
Authors who publish with Onoma Journal: Education, Languages??, and Literature agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under Creative Commons Attribution License (CC BY 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
